pucciManuli - A Remarkable Collection

"Millenium" Rocking Horse 
The turning of the century was celebrated by The Stevenson Brothers of Bethersden, England, by producing an Aspery & Garrard designed rocking horse.  Made from black ebonized Walnut, this rocking horse is carved to show musculature and is constructed using the traditional Victorian method of mortise and tenon, ensuring a sturdier connection between joints than the common dowel and peg style that can weaken after years of riding.  

The rocking horse includes a real horse hair mane and tail, is tacked in black, tanned English cowhide leather and mounted with silver metalwork.  The purple suede saddle blanket includes the Roman numerals “MM” hand embroidered by Hand & Lock of London, the oldest heraldic embroiderers in the world.  The Oak stand supporting the rocking horse is fitted with a hallmarked silver plaque with the maker’s name, date and unique number.

Available to discerning owners as a limited edition of only 100, this unique, heirloom quality rocking horse is an investment in authentic English craftsmanship from the most highly regarded makers in the field.  Beautiful in any setting, this truly timeless piece of equine sculpture is rideable by children of all ages.

Available in two sizes:          Large 56” L x 18” W x 48” H (holds up to 250 pounds)
                                                Extra Large 70” L x 22” W x 58” H (holds up to 320 pounds)

Green Policy
Working with hardwoods brings with it an environmental responsibility, which the brothers honor: whenever possible, timbers are bought from suppliers supporting the code of conduct of the International Tropical Timber Organizations.  The timber used by Stevenson Brothers comes from plantations with a sound replanting policy.  As a double guarantee that the wood of your rocking horse is being replaced, we will send you a tree which you can plant and care for in your own garden.


As with all of Stevenson Brothers’ rocking horses, you also have the ability to custom build your very own horse: chose one (1) of three (3) horse sizes, the type of wood carved, the type of stand your horse is mounted on, the fittings, whether or not and/or how you want your horse painted, and the colors of the leather saddle and suede saddle blanket.  In addition, you can choose to include a secret locking compartment and inscribe your very own message on the included plaque.  To discuss all of your options, please contact us directly at 484-466-2067.

Carving rocking horses has been a Stevenson family tradition for over 60 years. The quality of their workmanship is unquestionable, from the selection of the best kiln-dried timber (to prevent warping) and the standard of the joinery to the hand-stitched leather tack, the real horse hair for mane and tail, and realistic eyes. The insistence on perfection is clear, as each horse comes with a lifetime guarantee. Having made over 6,000 rocking horses to date, they are collected the world over.

Though small clay horses on wheels have been discovered in graves from as early as 1200 B.C. (perhaps for budding knights to practice their jousting skills), the first toy horse that could be ridden was the hobby, or stick, horse that dates to Greek and Roman times. One story has it that Socrates himself, frolicking with his young sons, was spotted cantering about on a pole adorned by a horse head.


The craftsman who first placed a wooden horse on rockers—a likely outgrowth of the cradle—is unknown, but by the end of the 18th century, rocking horses had evolved into ornately crafted, fiery chargers at full gallop, heads outstretched, horsehair manes and tails flowing, glass eyes gleaming. Queen Victoria’s nine children insisted on bringing a dapple-gray on family vacations. Napoléon’s young son, Joseph-Charles-François, treasured his painted pony. Sweden’s King Karl XV and King Prajadhipok of Thailand rode rocking horses in their youth (as did the current heir to the British throne, Prince Charles, on a model carefully selected for him by Queen Elizabeth II).


For a long time, rocking horses were the purview of the rich. Then, with the increasing prosperity brought on by the Industrial Revolution, they became nursery fixtures of children born to an emerging middle class. There have been many permutations. In Germany, wooden and papier-mâché horse frames were often covered with calfskin. In bicycle-crazed France, velocipede rockers—wooden horses mounted on tricycles—were all the rage. Inventive Victorian manufacturers made horses with multiple seats to accommodate up to three children at a time, a model the Stevenson brothers have revived. In the United States, toymakers fashioned complicated if failure-prone spring-loaded horses that approximated a trotting motion.


Americans also produced some of the more flamboyant designs, adopting the style of carousel horses popular at fairgrounds and carnivals. An American also scored a safety breakthrough: in 1878, to guard against horse and rider going head over heels, not to mention scratching floors, bumping into furniture or squashing small fingers and toes, Philip Marqua of Cincinnati patented a safety stand to which the horse’s legs are attached. (Purists, of course, disdain the stands.)


As immigrants poured into this country throughout the 19th century, craftsmen arriving from every corner of Europe applied their talents to America’s rocking horses. Dozens of workshops, many of which employed Old World artisans, sprang up between the 1850s and the turn of the century. (The young Dwight Eisenhower earned pocket money sanding rocking horses at a now-defunct shop in Abilene, Kansas.) Few of these studios endured, in part because skilled wood-carvers flocked to the more lucrative market in carousel horses. One rocking horse manufacturer from that era, the Whitney Reed Corporation of Leominster, Massachusetts, survived for nearly 100 years, only to succumb in the 1950s to postwar parents’ preference for such trendy playthings as hula hoops and Betsy Wetsy dolls.