- Harlequin Hampelmann, Red/Yellow
- About Oberammergau Hampelmann
- History of Hampelmann
Handmade in limited quantities in Oberammergau, Germany, these Hampelmann, also referred to as Jumping Jacks, are strikingly simplistic, yet sophisticated and beautiful. Originally made as a traditional German toy, complete with moving arms and legs, they are now also considered Objet D’art. The Hampelmann, depicting both German folk heros and contemporary figures, are quite lovely as a wall or window embellishment, or hanging from shelves to add character. They are a wonderful addition to any child’s room as well as the kitchen, library, hallway or bathroom.
Made from the stems of Spruce trees native to Oberammergau, just as they were when they were introduced back in the 18th century, the artists hand carve the desired shape of each Hampelmann and then split the wood into shingles. Once the figure has been carefully assembled using wooden dowels and string, which provides the movement to the arms and legs, the artists apply a typical Oberammergau painting style known as "Fassmalerei", a secret combination of pigments and lacquers layered on top of a base of chalk.
The fiber structure of each shingle, combined with the carving, make each and every Hampelmann toy unique. And each Hampelmann comes complete with the artists’ signature red sealing wax, which guarantees the figure is 100% handmade, exclusively in Oberammergau, Germany.
In the early eighties, Karl Braun, Klaus Vogt and Markus Wagner’s interests in local history and sculpture led them to many visits of the Oberammergau Museum with its extensive collection of early works. In contrast to the ever more developed art of woodcarving, including machine made products, they were especially taken by the simplicity of these early works. Over time, experimentation with techniques, materials, tools and experience gained, as well as the popularity of these Hampelmann, as shown by the demand for them, led to the formation of a small workshop community.
Each piece of the Hampelmann is made from the stem of a special kind of spruce tree. Once the exclusive use of woodcarving knives produces the desired shape, the stem is actually split into shingles. The Hampelmann’s limbs are attached to his/her body by small wooden dowels. The limbs are movable around the dowel axis and connected to each other by cords. Pulling the cord down causes the figure to lift his/her arms and legs. Once the Hampelmann has been carved and carefully assembled, the typical Oberammergau painting style known as "Fassmalerei" is applied. Traditionally used for painting church figures, a secret combination of pigments and lacquers are layered on a base of chalk. The fiber structure of each shingle, combined with the carving, make each and every Hampelmann toy unique. 
One of the oldest regions in the world to make wooden toys (and also known for it’s tromp d’oeil paintings and infamous passion plays) is Oberammergau, Germany, which is omnipresent everywhere in the town. The origin of Oberammergau’s wood carvings date back to the middle ages where a manuscript from the year 1111 first mentioned Rottenbucher monks who brought, “…the Ammergau art of carving small household goods out of wood…” to the area of Berchtesgaden. Furthermore, a Florentine’s travel report dated 1520, praises the fineness of the Oberammergau carvings and, in 1563, the Ammergau carvers received a Handicrafts Code of their own from the Abbot of Ettal.
Early on, in Oberammergau (and the many surrounding regions where peasants lived), most carved objects were likely intended for utilitarian purposes. As it was an economic necessity, the local population was forced to take on this side project in order to support themselves. While in the beginning this avocation was practiced only in the evenings or during the long winter months, eventually it became the main occupation, which involved the whole family. During the course of the 18th and 19th centuries, wooden toys evolved from the workshops of small family enterprises and soon reached the all important markets of St. Petersburg, Kopenhagen, Gothenburg, and Drontheim, among others.
The Oberammergauers were able to remain relatively independent of outside merchants since many took their carvings on pack-boards all over Europe. For them, not only sacred carvings, but secular wood sculpture was equally important. Most of the production of these latter carvings went into making Jumping Jacks, considered typical for Oberammergau. The Oberammergau Jumping Jack was a creation of this area and became famous throughout the world. Among the townspeople, the Jumping Jack, usually a caricature of disliked people, became fashionable between 1750 and 1850. However, the strong competition from other toy manufacturers, especially tin toys, contributed to a decline in the production of these wonderful wooden toys. And just after 1880, wooden toys like these were no longer carved and could only be seen in museums and private collections.